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| Rekha in Muqaddar Ka Sikandar (1978) |
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| Rekha in and as Umrao Jaan (1981) |
The most gorgeous portraits done by the best photographers in the world. An alarming number of pics of Aishwarya Rai, the most beautiful girl in the world!
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| Rekha in Muqaddar Ka Sikandar (1978) |
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| Rekha in and as Umrao Jaan (1981) |
Is this Madhuri Dixit's greatest cover shot and photoshoot?!
Her collaborative efforts with the acclaimed and beloved photographed, the late great Gautam Rajadhyaksha, who, in turn, worked with makeup artist Mickey Contractor - exclusively I think... created some of the most striking visuals in media. The bone structure of MD doing the most here...
Some might argue their work in MOVIE magazine was a level up- or perhaps even g magazine.... ah, what a happy debate...
When director Manmohan Desai released Suhaag in November 1979, the multi-starrer formula was at its absolute zenith. Centered on Desai's signature "lost-and-found" narrative, the film followed two twin brothers separated at birth - Amit (Amitabh Bachchan), who grows up to be a charismatic criminal, and Kishan (Shashi Kapoor), an upright police officer.
While the film was packed with high-decibel action, family melodramas, and Laxmikant-Pyarelal’s chart-topping soundtrack, it was the explosive screen presence of Rekha that gave the film its romantic core. Playing Basanti, a feisty courtesan's daughter turned street dancer, Rekha delivered a performance that seamlessly blended sharp comic timing with vulnerable glamour. Her dynamic with Bachchan was electrifying- evident in iconic dance numbers like "Atharaa Baras Ki Tu" and the devotional anthem "O Sheronwali".
By 1979, Rekha was no longer just a glamorous foil; she was a transformed artist with immense star power. Suhaag solidified her standing as the definitive leading lady of mainstream 1970s commercial cinema, proving that even within the confines of a male-dominated "Angry Young Man" actioner, her charisma could command undivided attention.
Amitabh Bachchan and Rekha starred together as a paired lead couple or major co-stars in 10 full-length feature films between 1976 and 1981.
Of these 10 films, 8 were commercial successes (ranging from Hits to Superhits and Blockbusters), giving their pairing an extraordinary 80% success ratio at the box office—one of the highest hit-rates for any lead pair in Hindi cinema history.
Do Anjaane (1976) – Hit
Khoon Pasina (1977) – Super Hit
Immaan Dharam (1977) – Flop
Ganga Ki Saugandh (1978) – Hit
Muqaddar Ka Sikandar (1978) – All-Time Blockbuster (2nd highest grosser of 1978)
Kasme Vaade (1978) – Semi-Hit / Hit
Mr. Natwarlal (1979) – Hit
Suhaag (1979) – Blockbuster (1st highest grosser of 1979)
Ram Balram (1980) – Hit
Silsila (1981) – Average / Moderate Success (Cult classic status achieved later)
The Tulu speaking Bunt ladies; Shilpa Shetty and Aishwarya Rai.
Ash's face and Shilpa's body, that would be an ideal woman for Bollywood!
Outtakes from a cover shoot Aishwarya Rai, 19, did with Sanjay Dutt, 34, back in November 1993! This was four years before cinema fame - when she was a top model in Mumbai and the famous Sanju - Pepsi girl. Hence one Sanju met another for Cine Blitz's cover shoot.
In November 1993 - the month Aishwarya Rai and Sanjay Dutt famously posed together for their iconic CineBlitz magazine shoot - Aishwarya was 19 when she shot with the great phtographer Gautam Rajadhyaksha, and she turned 20 years old when the magazine came out (Rai was born November 1, 1973) while Sanjay Dutt was 34 years old (born July 29, 1959).
This was exactly a year before Aishwarya Rai's world change - because a year later, on November 19, 1994, in South Africa, she was crowned Miss World.
Age Gap: 14 years and 3 months.
Total Films Together: 2 feature films.
Hits: None. Neither of their on-screen pairings succeeded commercially at the box office.
Flops:
Hum Kisise Kum Nahin (2002) – Directed by David Dhawan and co-starring Amitabh Bachchan and Ajay Devgn, this action-comedy underperformed significantly relative to its high budget. A terrible film by all accounts - a pointless plot with a decidedly unfunny script. The music was loud and awful - and the lyrics even worse. Yeh kya ho raha hai? - the question is repeated 25 times in one song. Lazy much?!
Shabd (2005) – Directed by Leena Yadav, this psychological drama featured Sanjay as a struggling author and Aishwarya as his wife. It was a critical and commercial disaster at the box office.
Last Collaboration: Shabd (2005), released on February 4, 2005.
When Maine Pyar Kiya released at the end of 1989, it really was a youth-quake. The cast and crew were so young - and not pretending to be young. They got allllll the ingredients right.
Wikipedia has demystyfied the age of actors and the cast and crew. This is a reminder that a young team getting together can and do create magic.
The film wasn't just a movie - it was a movement. It captured a young zeitgeist. The Barjatya brilliance shone through.
Maine Pyar Kiya was filmed primarily between 1988 and 1989 before its release on December 29, 1989.
Salman Khan (Prem Choudhary): Born December 27, 1965.
Age during shooting: 22 to 23 years old (he turned 24 two days before the film released).
Bhagyashree (Suman): Born February 23, 1969.
Age during shooting: 19 to 20 years old.
Mohnish Bahl (Jeevan): Born August 14, 1961.
Age during shooting: 26 to 27 years old.
Pervaiz Sahani / Pervien Dastur (Seema): Born 1968.
Age during shooting: 20 to 21 years old.
Alok Nath (Karan, Suman's father): Born July 10, 1956.
Age during shooting: 31 to 32 years old.
Reema Lagoo (Kaushalya Choudhary, Prem's mother): Born June 21, 1958.
Age during shooting: 29 to 30 years old (playing Salman's mother while being only 7 years older than him).
Rajeev Verma (Kishan Kumar Choudhary, Prem's father): Born June 28, 1949.
Age during shooting: 38 to 39 years old.
Laxmikant Berde (Manohar): Born October 26, 1954.
Age during shooting: 33 to 34 years old.
Director Sooraj Barjatya (born February 22, 1965) was also only 23 to 24 years old while directing the film.
I read this about them in MOVIE magazine; "He gave her class, she gave him sex appeal; the magic of Rekha and Amitabh Bachchan on the big-screen.
Aur Pyar Ho Gaya is remembered today mainly as Aishwarya Rai's Bollywood entry point rather than for its box office success or critical acclaim. The music by the late, great Nusrat Fateh Ali Khan and lyrics by Javed Akthar are impeccable. So many songs stand the test of time - and all so gloriously picturised on the telegenic pair. For her first film, Aishwarya's not bad but people expected her to be Madhuri from day one. Which was unfair to the (albeit confident) newcomer. As a rom com its.. fine. Its fine.
As a time capsule for contemporary fashion in the 90s, its textbook. Skip through most of the film, and just watch Ash. Totally worth it.
When you see her filmography in the early 1980s, she appeared in nearly a dozen movies each year. Sadly the quality of the films themselves was all over the place. Either she was exquisite or erratic.
As a beauty, actor and dancer, Rekha is peerless - topped with a flawless voice and husky dialogue delivery where her Hindi and Urdu is perfection.
In her vast filmography, many like to state that Umrao Jaan is her career-defining performance. A valid thesis can be made of that.
I propose the flawless, Khoobsurat. Legend has it Hrisihikesh Mukherjee made the film just for Re - and is closest character to the actress herself.
I've seen the film... 148 times. It is glorious. Every single actor in the movie is so natural and wonderful. Particularly Ashok Kumar and his magical jugulabandi with Dina Pathak.