Sunday, 2 August 2026

Bollywood kids who became Bollywood stars: Alia Bhatt, Tabu, Sara Ali Khan




 Bollywood kids who became Bollywood stars: Alia Bhatt, Tabu, Sara Ali Khan. Nepo babies. Literally. 

Saturday, 1 August 2026

Madhuri Dixit with younger co-stars



Well, they weren't paired together but Ishaan Khatter posing with Madhuri Dixit I'm sure meant a lot to him as a young dancer. There is an age gap of 28 years, 5 months, and 17 days between them! They weren't paired together, just danced together for a song. 

In reverse however, aging Bollywood actors with increasingly younger actresses remains common. 

Now, Madhuri Dixit and Akshay Khanna worked in a long, boring, loud film together - even though she had worked with Akshay Khanna's father Vinod Khanna, and there is an age gap of 7 years, 10 months, and 13 days between them. The pr overdrive that year - 1997 - came from the film's camp that insisted that Madhuri was looking so good (she was!) that it doesn't look like an age-gap. Er... well... 

Mohabbat released on September 19, 1997 and was a major commercial failure - classified as a box office flop. However, its soundtrack (composed by Nadeem-Shravan and featuring hits like "O Baby Don't Break My Heart") was highly successful and became one of the top-selling music albums of that year. They went on to work together again years later in Aaja Nachle. Which also flopped.

The massive age gap between veteran male superstars and their much younger female co-stars is one of the most widely discussed and debated casting trends in contemporary Bollywood. While leading men in their 50s and 60s continue to play youthful, romantic leads, their female contemporaries are rarely offered the same roles, leading to a widening age disparity.

Here is a breakdown of the most notable age gaps featuring the industry's biggest stars.

1. Salman Khan

Across his career, Salman Khan's average co-star age gap has drastically widened from a modest 4-year difference in 1989 to over 20+ years in the 2010s and 2020s.

  • Saiee Manjrekar in Dabangg 3 (2019) — 36-Year Gap: This is the largest age gap in Salman’s filmography. At the time of the film's release, Salman was 54 and Saiee was just 18.

  • Rashmika Mandanna in Sikandar (2025) — 31-Year Gap: Salman (59) starred opposite Rashmika (28) in this action film.

  • Disha Patani in Radhe (2021) & Bharat (2019) — 27-Year Gap: Disha was 27 when she romanced a 54-year-old Salman in Bharat.

2. Akshay Kumar

Akshay Kumar's filmography features a consistent rotation of newly debuting actresses, leading to several massive age gaps.

  • Manushi Chhillar in Samrat Prithviraj (2022) — 30-Year Gap: Akshay (55) made his period-drama romantic pairing opposite former Miss World Manushi Chhillar (25).

  • Wamiqa Gabbi in Bhooth Bangla (2026) — 26-Year Gap: Akshay (58) addressed public chatter regarding his pairing with Wamiqa (32) by noting that age differences are common in both Hollywood and real-world marriages.

  • Amy Jackson in Singh Is Bliing (2015) — 25-Year Gap: Akshay was 48 while Amy was 23.

3. Shah Rukh Khan

While SRK is celebrated for his romantic chemistry, his pairings in the last two decades have frequently featured women more than two decades his junior.

  • Alia Bhatt in Dear Zindagi (2016) — 27-Year Gap: Though the film intentionally explored a more therapeutic relationship with romantic undertones rather than a typical masala romance, the real-life gap was 27 years.

  • Anushka Sharma in Rab Ne Bana Di Jodi (2008) — 23-Year Gap: For her massive Bollywood debut, a 20-year-old Anushka was paired opposite a 43-year-old SRK. They later reunited for Jab Tak Hai Jaan and Zero.

  • Deepika Padukone in Pathaan (2023) — 20-Year Gap: Deepika was introduced to cinema opposite SRK in Om Shanti Om (2007) when she was 21 and he was 42.

4. Ajay Devgn

  • Rakul Preet Singh in De De Pyaar De (2019) & De De Pyaar De 2 (2025) — 24-Year Gap: This romantic comedy was unique because it actually weaponized and addressed the real-life age gap as the central plot point. Ajay Devgn played a 50-year-old divorcĂ© dating a 26-year-old woman. The age gap was deliberate as it furthered the plot. 

Quick Comparison Table

ActorCo-StarFilm (Year)Actor's AgeCo-Star's AgeAge Gap
Salman KhanSaiee ManjrekarDabangg 3 (2019)541836 years
Salman KhanRashmika MandannaSikandar (2025)592831 years
Akshay KumarManushi ChhillarSamrat Prithviraj (2022)552530 years
Shah Rukh KhanAlia BhattDear Zindagi (2016)512427 years
Akshay KumarWamiqa GabbiBhooth Bangla (2026)583226 years
Ajay DevgnRakul Preet SinghDe De Pyaar De (2019)502624 years
Shah Rukh KhanAnushka SharmaRab Ne Bana Di Jodi (2008)432023 years

Why does this persist?

Historically, Bollywood has suffered from deep-rooted ageism regarding women. While male superstars are allowed to retain their "romantic hero" status indefinitely, female actors are often nudged toward maternal or supporting roles once they reach their late 30s. When questioned about the trend, actors like Salman Khan have pointed out that after decades in the industry, pairing with actresses from their own generation can sometimes feel "repetitive" to audiences, leading filmmakers to seek "fresh" pairings. It is a weak excuse from a, quite frankly, weak actor. 


Sanjay Dutt with Aishwarya Rai at the premiere of Shabd


The Pretentious Disaster of Shabd (2005)

When Shabd hit theaters on February 4, 2005, it arrived riding a wave of unexpected, behind-the-scenes drama.

Before the release, producer Rangita Nandy—daughter of media legend Pritish Nandy—caused a major Bollywood scandal when she asked Gauri Khan (wife of ShahrukH Khan - who didn't attend), and Karan Johar to leave an exclusive preview screening because it was allegedly restricted strictly to the cast and crew. Intoxicated by production authority, Rangita triggered an immediate media backlash. Recognizing the sheer weight of "the Wrath of Khan," a humbled Pritish Nandy spent the next day doing damage control, issuing public apologies to King Khan. Shah Rukh graciously claimed to have forgiven the insult, but Bollywood has a long memory. Karan Johar later snickered about the whole affair with his signature wit, quipping that he was actually grateful to be kicked out since it saved him from watching a terrible movie.

Hard to argue with Karan on that one.

Shabd crashed hard at the box office, quickly earning a "Disaster" status from trade analysts.

Opening the exact same day (February 4, 2005) was Sanjay Leela Bhansali’s masterwork Black, starring Amitabh Bachchan and Rani Mukerji. Black captured all the critical acclaim and audience attention. Meanwhile, Madhur Bhandarkar’s Page 3 (released late January 2005) was riding strong word-of-mouth to become the month's surprise hit. Faced with heavyweights on both sides, Shabd’s pretentious plot about an author (Sanjay Dutt) manipulating his wife (Aishwarya Rai) into an affair with a younger professor (Zayed Khan) was laughed off the screen. Director Leena Yadav lamented that the audience "didn't get it," but the truth was simple: audiences got it, they just didn't give a shit about it! Ludicriously pretentious, as most films about writers often are, it was trying to be cleverer than it was. And it just wasn't smart. The writing was pedestrian, especially the chapters read out aloud by Dutt in the film. Its risible after effect was unintentional comedy, people were laughing - and walking out. 

If Shabd is remembered for anything positive, it’s purely visual. Aishwarya Rai looked like an ethereal dream. Styled in distinct diaphanous sarees paired with string bikini blouses, she brought a curvy, magnetic elegance that transcended the empty script. The cinematography (by Aseem Bajaj) and soundtrack (especially tracks like "Sholon Si") treated Rai as a work of art.

Today, social media is flooded with endless AI-generated renders of Aishwarya Rai, but none of that glossy "AI slop" comes close to capturing her actual sharp, flawless features in motion during this era. Shabd remains a hard pass as a film, but as a music video showcase for mid-2000s Rai, it holds a place in visual history—even if the producer’s hubris remains its most enduring legacy.